Search Results for: 3d printer
Can New 3D Printing Patents Be Challenged? EFF Says Yes.

Earlier this month, we reported that a 3D printing patent had been issued to create a DRM-like layer around printable goods. This is just one of many patents that will be prosecuted around the emerging 3D printing revolution. Ironically, however, the technology itself is 30 years old and may be subject to “prior art” that invalidates any recently filed patents.
This is the hope of the Electronic Frontier Foundation, a donor-supported organization that works to protect fundamental rights regardless of technology. Here is an excerpt from EFF’s blog.
Thanks to the open hardware community, you can now have a 3D printer in your home for just a few hundred dollars, with dozens of printer models to choose from and build upon. Community-designed printers already outclass proprietary printers costing 30 times as much. This incredible innovation is possible because the core patents covering 3D printing technologies started expiring several years ago, allowing projects such as RepRap to prove what we already knew—that openness often outperforms the patent system at spurring innovation.
Open hardware printers have been used for rapid prototyping of new inventions, to print replacement parts for household objects and appliances, by DIY scientists to turn a power drill into a centrifuge, for a game in which you can engineer your own pieces, and for thousands of other purposes by makers of all stripes. Projects like MakerBot and Solidoodle have made 3D printers accessible on a plug-and-play basis, so you don’t even need a soldering iron to start manufacturing objects you designed or downloaded from the internet. As additional patents expire, the open hardware community will be able to unleash its creative spirit on new technologies, technologies that have already been used to design custom prosthetics, guitars, shoes, and more. The possibilities are limitless.
The Problem
While many core patents restricting 3D printing have expired or will soon expire, there is a risk that “creative” patent drafting will continue to lock up ideas beyond the 20-year terms of those initial patents or that patents will restrict further advances made by the open hardware community. The incremental nature of innovation in 3D printing makes it particularly unsuitable for patenting, as history has shown.
The Project
We’ve said before that the America Invents Act failed to address many of the patent system’s worst problems. Despite that, it does include at least one provision we think could be helpful: the newly implemented Preissuance Submission procedure. That procedure allows third parties to participate in the patent application process by creating a vehicle to provide patent examiners with prior art. We’re glad to see the Patent Office open up the process to those who might not be filing patents themselves, but who are affected by the patent system everyday. We’re also glad that this new process may help stem the tide of improvidently-granted patents.
EFF and the Cyberlaw Clinic at Harvard’s Berkman Center for Internet and Society are working together to use this new process to challenge patent applications that particularly threaten growing 3D printing technologies. As a first step, we are evaluating 3D printing patent applications currently pending before the Patent Office to identify potential target applications.We need your help! If you know of any applications covering 3D printing technology that you think should be challenged, please let us know by emailing 3Dprinting@eff.org (and also point us to any relevant prior art you might know about).
To get involved with the search, go to the USPTO’s application search tool, PAIR, and/or Google Patents. Each of these sources contains valuable details about the applications currently pending before the USPTO. Here’s the thing: under the current rules, a patent application may only be challenged by a Preissuance Submission within six months of its publication (or before the date of the first rejection, if that comes later). This means the clock is already ticking on the current crop of patent applications.
Once target applications are identified, we will seek out relevant prior art. We’ll be asking for your help again then, so please watch this space. Any document that was publicly available before an application was filed is considered prior art; this can include emails to public lists, websites, and even doctoral theses. Because of the time limit, once we identify the target applications, we must complete the prior art search quickly.
We’re glad there’s a new way to to challenge dangerous patent applications before they become dangerous patents. But the America Invents Act and the search capabilities of the Patent Office’s website won’t make this job easy. We need your help to get this done, so please do what you can to help protect the 3D printing community from overbroad patents that can threaten exciting innovation.
Horizon photo by Norma Desmond used under Creative Commons license.
Objet Showcases Exquisite 3D Printing Applications at the 3D Print Show

Objet Showcases Exquisite Examples of Professional 3D Printing Applications at the 3D Print Show
Two pieces from Neri Oxman’s ‘Imaginary Beings: Mythologies of the Not Yet‘ series, recently exhibited at the Centre Pompidou in Paris, take centre stage on the Objet stand (P19 Level 2, Porter Tun Room). Printed using Objet’s unique Connex multi-material 3D printing technology, Oxman explains why the process was significant in the development of the pieces, “Objet 3D printing technology was extremely important in dreaming up this project. It wasn’t about generating forms and then using 3D printing to print them. It was really about using multi-material technology as an opportunity to think about how to make these ‘contraptions’ or ‘wearable myths’ mythical, and how to actually make them work better as products or objects for the human body.”

Legacy Effects’ Jason Lopes, another Objet technology user, explains how 3D printing is used within the business in two seminars on Saturday 20th October 15:00-16:00 and Sunday 21st October 11:00-12:00. An award winning full service character design, make-up and animatronic studio, Legacy Effects’ work can be seen feature films such as Avatar, Iron Man II, Shutter Island, Alice in Wonderland, and Thor and has been nominated for an Academy Award® for Iron Man. With Objet Eden and Objet Connex multi-material 3D printers, Lopes’ team is able to react to short deadlines, cater for multiple projects and make changes and different versions easily with quick conversion from scan files: “The best thing about 3D printing for me and my team is that our customers and actors can interact and try out the fit of our concept designs. When we produce character suits, creature mock ups and make-up effects, the materials are so durable and workable they can really see how it’s going to work out for them on set.”
Designer Daniel Hilldrup will also feature Objet 3D printed work at the show. ‘Flux‘, appearing in the 3D Printshow’s art gallery, was produced on an Objet Connex multi-material 3D Printer.
Described by Hilldrup as “a statement on the transference of energy and its transition and total transformation from one physical state and form into another”, Flux depicts black candle wax melting into the liquid base of a candelabra, captured, like a fossil, at a specific moment in time.
“We’re delighted to count Objet among the exhibitors at the 3D Printshow,” says Kerry Hogarth, founder of the 3D Printshow. “As a leading player in the 3D printing community, providing professional equipment for rapid prototyping and additive manufacturing, Objet makes an excellent addition to the show.”
Below is a video of the Objet Connex in action.
Via Sacramento Bee.
MakerBot Presents Groundbreaking 3D Masterpieces at the 3D Print Show

MakerBot Presents Groundbreaking 3D Masterpieces from Artist Cosmo Wenman at 3D PrintShow London 2012
MakerBot unveiled the incredible work of California-based artist Cosmo Wenman at the 3D PrintShow London 2012, October 19-21. The work is displayed in the MakerBot booth at the show. The pieces include: Head of a Horse of Selene, Acropolis, Athens, 438-432 BC; Portraits of Alexander the Great: -300, 1440, 1945, Hellenistic Greek 2nd-1st century BC; and Antikythera Mechanism, Hellenistic Greek, 1st century BC.
Cosmo Wenman is a prolific contributor to MakerBot’s Thingiverse website that is home to approximately 25,000 digital designs for real, physical objects. On Thingiverse, Cosmo has charged users to follow his example and capture scans of actual people or notable things in the world (like an asteroid or the deepest spot in the Earth’s ocean). He is on a mission to digitize the world and to challenge notions of materialism; his personal website notes that the “next couple years are going to be a big, exciting mess.”
“Cosmo’s latest work is some of the most compelling I have ever seen done by a MakerBot 3D printer,” said Bre Pettis, MakerBot ceo and founder. “Cosmo’s work calls into question the limitations often attributed to our machines, and they show beyond a shadow of a doubt that MakerBot desktop 3D printers can create pieces of incredible size, form, and beauty.”
These pieces were scanned from originals in the British Museum. Cosmo modeled them to print on a MakerBot Replicator desktop 3D printer in MakerBot PLA Filament. He then treated them with various finishing processes to create remarkably authentic, museum-quality replicas.
The first generation MakerBot Replicator Desktop 3D Printer was named “Best Emerging Tech” at the 2012 Consumer Electronics Show in Las Vegas. The MakerBot Replicator 2 was just announced in September. The company has been featured in The New York Times, The Wall Street Journal, the Economist, Wired, The Colbert Report, Fast Company, Engadget, Make: Magazine, Rolling Stone, Time, IEEE Spectrum, CNN, Financial Times, NPR, Vogue Italia and many others.
Via MarketWatch.
Cosmo Wenman photo courtesy of MakerBot blog.
Video: NASA Engineers Use 3D Printing to Design Mars Rover

NASA engineers use 3D printing to build a next-generation rover to support humans exploring other worlds, such as asteroids and, eventually, Mars.
Stratasys 3D printers were used for rapid prototyping to help keep costs down and get the parts designed perfectly. Watch the video below.
Design: Nintendo Wii U Controller Prototyped Using 3D Printing

Nintendo designers iterated on dozens of prototypes to get the perfect shape for the Wii U gamepad controller. How? 3D printing.
Hardware developer Masato Ibuki commented: “I made such a huge amount that I don’t even remember how many! (laughs) This time, instead of using the designs as it had come out of the 3D printer, we actually received approval for design with something that all the team members including myself whittled by hand to make fine adjustments to the 3D printed objects in the company workshop.”
Below is a virtual tour of the Wii U GamePad.
Via The Examiner.









